Rational egoism is talked about by the nineteenth-century English
logician Henry Sidgwick in The Methods of Ethics. A technique for
morals is any reasonable system by which we figure out what singular
people should or what it is a good fit for them to do, or look to
acknowledge by deliberate activity. Sidgwick considers three such
strategies, to be specific, reasonable egoism, narrow minded intuition-ism, and utilitarianism. Judicious egoism is the view that,
if levelheaded, an operator respects amount of ensuing joy and agony
to himself alone imperative in picking between choices of activity;
and looks for dependably the best achievable surplus of delight over
torment. Sidgwick thought that it was hard to discover any convincing
purpose behind leaning toward judicious selfishness over
utilitarianism. In spite of the fact that utilitarianism can be given
a sane premise and accommodated with the profound quality of the
ability to think, balanced egoism seems, by all accounts, to be a
just as conceivable principle in regards to what we have most
motivation to do. Therefore we must concede an extreme and essential
inconsistency in our evident instincts of what is Reasonable in
behavior; and from this confirmation little doubt remains to take
after that the obviously instinctive operation of Practical Reason,
showed in these conflicting judgments, is after all deceptive.
Thoughts of an Egoist
Tuesday, 28 October 2014
Friday, 17 January 2014
Egotism
Egotism is the
drive to sustain and improve positive views of oneself, and usually features an
inflated attitude of one's personal traits and significance — intellectual,
physical, social and other.
The egotist has an
irresistible sense of the centrality of the 'Me': of their personal qualities. Egotism
means placing oneself at the core of one's world with no anxiety for others,
together with those loved or considered as "close," in any other
conditions except for those set by the egotist.
Egotism is
strongly related to "loving one's self" or narcissism - certainly
some would say: by egotism we may imagine a kind of socialized narcissism. Egotists
have a strong tendency to speak about themselves in a self-promoting fashion,
and they may well be superior and boastful with a extravagant sense of their
own significance.
Wednesday, 6 March 2013
Egotism
Egotism is the drive to maintain and enhance favorable views
of one, and generally features an inflated opinion of one's personal features
and importance intellectual, physical, social and other. The egotist has an
overwhelming sense of the centrality of the 'Me': of their personal qualities.
Egotism means placing oneself at the core of one's world with no concern for
others, including those loved or considered as "close," in any other
terms except those set by the egotist.
Monday, 4 June 2012
Zenobia pulverulenta
Zenobia pulverulenta (Honeycup) is the sole species in the genus Zenobia, in the flowering plant family Ericaceae. It is native to the southeastern United States, in North Carolina, South Carolina, and Virginia.
Wednesday, 21 September 2011
The Egoist
The novel recounts the story of self-absorbed Sir Willoughby Patterne and his attempts at marriage; jilted by his first bride-to-be, he vacillates between the sentimental Laetitia Dale and the strong-willed Clara Middleton. More importantly, the novel follows Clara's attempts to escape from her engagement to Sir Willoughby, who desires women to serve as a mirror for him and consequently cannot understand why she would not want to marry him. Thus, The Egoist dramatizes the difficulty contingent upon being a woman in Victorian society, when women's bodies and minds are trafficked between fathers and husbands to cement male bonds.
In an afterword by Angus Wilson, The Egoist was called "the turning point in George Meredith's career". Wilson saw Meredith as "the first great art novelist"; his afterword interprets the book as an adaptation of a stage comedy, an achievement he arrogates to few English authors, who, he suggests, present only "farce or satire" (Wilson 501-3). He compliments Meredith most when he is detached from his characters, as "it is then that our laughter is most thoughtful" (Wilson 503). Wilson is most taken by "the absolute truth of much of the dialogue", such as how "the way Sir Willoughby continues to speak through the answers of other characters, returning to notice their replies only when his own vein of thought is exhausted" is a "wonderful observation of human speech" (Wilson 508).
In his essay "Books Which Have Influenced Me," Robert Louis Stevenson reports the following story: "A young friend of Mr. Meredith's (as I have the story) came to him in agony. 'This is too bad of you,' he cried. 'Willoughby is me!' 'No, my dear fellow,' said the author; 'he is all of us.'" (Stevenson 115).
E. M. Forster discussed the book in his lecture series Aspects of the Novel, using it as an example of a "highly organized" plot (Forster p87). Much of his discussion, however, focuses on Meredith and his popularity as an author.
More materially, Forster compliments Meredith on not revealing Laetitia Dale's changed feelings for Willoughby until she rejects him in their midnight meeting; " would have spoiled his high comedy if we had been kept in touch throughout ... in fact it would be boorish. ... Meredith with his unerring good sense here lets the plot triumph" rather than explaining Dale's character more fully (Forster p92).
Forster further compares Meredith with Thomas Hardy, complimenting Hardy on his pastoral sensibilities and Meredith on his powerful plots, " what novel could stand" (Forster p94).
In an afterword by Angus Wilson, The Egoist was called "the turning point in George Meredith's career". Wilson saw Meredith as "the first great art novelist"; his afterword interprets the book as an adaptation of a stage comedy, an achievement he arrogates to few English authors, who, he suggests, present only "farce or satire" (Wilson 501-3). He compliments Meredith most when he is detached from his characters, as "it is then that our laughter is most thoughtful" (Wilson 503). Wilson is most taken by "the absolute truth of much of the dialogue", such as how "the way Sir Willoughby continues to speak through the answers of other characters, returning to notice their replies only when his own vein of thought is exhausted" is a "wonderful observation of human speech" (Wilson 508).
In his essay "Books Which Have Influenced Me," Robert Louis Stevenson reports the following story: "A young friend of Mr. Meredith's (as I have the story) came to him in agony. 'This is too bad of you,' he cried. 'Willoughby is me!' 'No, my dear fellow,' said the author; 'he is all of us.'" (Stevenson 115).
E. M. Forster discussed the book in his lecture series Aspects of the Novel, using it as an example of a "highly organized" plot (Forster p87). Much of his discussion, however, focuses on Meredith and his popularity as an author.
More materially, Forster compliments Meredith on not revealing Laetitia Dale's changed feelings for Willoughby until she rejects him in their midnight meeting; " would have spoiled his high comedy if we had been kept in touch throughout ... in fact it would be boorish. ... Meredith with his unerring good sense here lets the plot triumph" rather than explaining Dale's character more fully (Forster p92).
Forster further compares Meredith with Thomas Hardy, complimenting Hardy on his pastoral sensibilities and Meredith on his powerful plots, " what novel could stand" (Forster p94).
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